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So that's why I feel that it hasn't reached the mainstream limelight as some of the other series I mentioned. Mission Impossible is a series that comes, does its thing, shows everybody how it's done, leaves and is not seen or heard from until the next movie comes out. As far as espionage goes, I think Bond is obviously far more famous, but I think there's far more talk about the Bourne franchise. They're more likely to pick out something from Marvel or Star Wars. What I mean by that is that, while each installment seems to be a major success at the box office, and critically well-received as well, it doesn't seem to be a franchise that a lot of people think of when they think of major franchises. Mission Impossible is in an interesting position, it somewhat exists in its own little world. Rebecca Ferguson is an absolute stunner and a more than welcome addition to the franchise. The film's casting is also really strong and there's great interplay between them all. It still felt a little anticlimactic given everything we had seen prior to that, but I get the reasoning behind that. Then again, this villain was more of an 'intellectual' as opposed to someone who could hold his own in a fight, so maybe they felt that outsmarting him was the most apropos way to take him down. Don't get me wrong, it's satisfying to finally see the IMF take down the man that has bested them at almost every turn, but to do so with the ease they did sort of took something away from that satisfaction. So, unfortunately, because of that, the climax itself ends up feeling anticlimactic. The highlights include a pretty damn cool scene at the Vienna Opera House, the car chase in Morocco, the underwater sequence where Ethan has to switch security profiles. And the latter is really where the movie shines. A terrorist creating havoc around the world manipulates the IMF and British Intelligence to do his doing, there's globetrotting, cool spy gadgets, exciting action sequences. The narrative itself isn't anything to write home about. As they say, if it ain't broke, don't fix it. It's not that it plays to the genres tropes and cliches, but it does what it does so well that it doesn't really need to reinvent the wheel with its story or its approach. Perhaps that's the wrong term to use, because it's not like these films have reinvented the espionage genre, far from it. Not that it's the best popcorn movie I've ever seen, but there's no denying that the Mission Impossible franchise, ever since Christopher McQuarrie has taken over the creative helm, has seen a creative resurgence with both Ghost Protocol and this movie. When you talk about popcorn entertainment at the movies, this is the picture that I imagine in my mind.
But that's really irrelevant in the long run, because what matters is that this movie is an absolute blast to watch. So that was strange, even though in this film it's, ultimately, revealed to be part of a set-up, but it was still strange to see the film pretty much do the same thing at the beginning as the previous film in the franchise. The IMF is shut down, essentially, in both movies. I don't remember much of Ghost Protocol, the previous film in the MI franchise, but looking back at its description on this site, starts off with a very similar premise.
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